“Forthwith Rumour runs through Libya’s great cities / Rumour, of all Evils the most swift / Speed lends her strength and she wins vigour as she goes / small at first through fear, soon she mounts up to Heaven / and walks the ground with head hidden in the clouds”
… Virgil: The Aeneid, Book IV.
***** Spoiler Alert *****
We normally take a pretty lax attitude around here towards spoilers. There’s a warning in our Mission Statement about proceeding with caution at all times when you visit The House Of Freudstein. Beyond that… read ’em and weep!
Steve De Jarnatt’s Miracle Mile really is a special case, though. If you go into this one with absolutely no idea of what’s going to happen, it might just rock your world… but there’s no real way of explaining why that might be without giving the game away. Mrs F and I were fortunate enough to catch the film, totally ignorant of its contents, at one of Dave Bryan and Malcolm Daglish’s fondly remembered Black Sunday film festivals in Manchester during the early ’90s and that was really the perfect way to experience it.
Suffice to say that if you’re not aware of this film’s chilling premise and are planning to see it – which I would urge you to do – please don’t read the following until you’ve done so. Then tell me why I’m talking shit…
***** Spoiler Alert Ends *****
Timing is everything. Especially when you’re invoking End Times. Miracle Mile, written by the genial Steve De Jarnatt (above) kicked around Hollywood for several years, garnering a reputation as the successor to Bruce Joel Rubin’s Jacob’s Ladder as “the best unfilmed script” in La La Land. The reason nobody would film it was that De Jarnatt steadfastly refused to compromise by succumbing to studio demands that a happy ending be tacked onto it. Tired of banging his head against a brick wall, he ultimately put together the deal that allowed him to direct the film himself, according to his own vision. Unfortunately, by the time Miracle Mile (officially released in 1988) had received any substantial distribution, the Berlin Wall had come down and the world began to kid itself that the threat of nuclear annihilation was no longer something to worry about …
The film kicks off engagingly enough, with unfulfilled doofus Harry Washello (Anthony Edwards) and misift Julie Peters (Mare Winningham) discovering each other and – at long last – true love in LA. Circumstances conspire to make Harry significantly late for their make-or-break date on Wilshire Blvd (the Miracle Mile of the title). So far, so screwball comedy. After he’s tried to phone Julie with his apologies, though, Harry picks up a misdirected phone call from a soldier trying to warn his father that World War III has broken out and the Continental USA is going to be nuked within 75 minutes. The grunts babbling’s are interrupted by a gunshot and an authoritarian voice advises Harry to forget everything he has just heard and “go back to sleep…”
Is this an elaborate prank or good grounds to get the hell out of LA, ASAP? Harry struggles to convince himself and the late night occupants of Johnie’s Diner but ultimately resolves to find Julie and get her out, just to be on the safe side, while all around him civilised society rapidly breaks down in the wake of his careless whisper…
Even after the “apocalypse now… or maybe not” issue has been resolved, what shines through on subsequent viewings is De Jarnatt’s assured direction and convincing rendition of Armageddon-on-a-budget (God knows what it took to have Wilshire Boulevard blocked off for a day’s shooting), the impressive ensemble playing of his cast and in particular the touching performances of his leads.
Arrow’s Blu-ray presentation looks and sounds every bit as good as you’d expect and is bedecked with a host of supplementary goodies. De Jarnatt is interviewed (great to hear about and see Joe Turkel’s Dantesque improvisation, which the director reluctantly cut), and supplies two commentary tracks, one of them in conjunction with cinematographer Theo van de Sande and production designer Chris Horner. An emotional reunion at Johnie’s Diner features most of the cast though Edwards and Winningham couldn’t attend. They get their own interview spot and it’s nice to learn that some years after co-starring in Miracle Mile, they became a real life item.
Tangerine Dream fans (among whom I number myself) will enjoy the extra in which that band’s Paul Haslinger talks about scoring this film and others. You get deleted scenes and outtakes but I can’t comment on the booklet essay by Tim Lucas, which I haven’t seen (nor will you if you fail to pick up the first pressing of this release).
Powerful stuff…. so why was De Jarnatt confined to TV directing and writing short stories (one of which he reads in another bonus feature) after Miracle Mile? It seems like a lot of people would rather just go back to sleep.
To paraphrase (though this is disputed) Victor Hugo… “Nothing is as powerful as a film whose time has come”. Let’s hope and pray that this is not it…