“Can’t you smell that stink of shit?” Geretta Giancarlo Field.
The last time we embarked on a Severinian binge here at THOF we were up to our asses in Bruno Mattei / Claudio Fragasso monstrosities but in a rare display of trash film fallibility, we managed to miss this one. It seemed only right, therefore (and even more appropriate in light of the film’s increasingly relevant and no-doubt sincerely heartfelt ecological concerns) to kick-start our Several Days Of Severin with a look at Mattei’s Shocking Dark (1989), billed by the Sevsters themselves (who certainly know a thing or two about this stuff) as “the most infamous mash-up in Eurosleaze history!”
Never known for their reluctance to pad out a film with stock footage, Mattei and writer Fragasso (billed here under their sho’nuff “Vincent Dawn” and “Clyde Anderson” aliases… in fact Fragasso’s identified as “Clayde” Anderson this time out) commence the proceedings with travelogue shots of Venice while some voice over schmuck wonders what the ravages of pollution will have done to it by the turn of the Millennium… and indeed, who could possibly have predicted that it would be an abandoned wasteland, under the ruins of which elite Marine units battle it out with mutant aliens and time travelling cyborgs? Anybody who’s ever watched a Mattei and / or Fragasso flick before, that’s who! Altogether, now: “Just one gorenetto, give it to me…”
Though Demons’ Geretta Geretta (billed under the altogether more feasible handle of Geretta Giancarlo Field) and her fellow grunts from Operation Delta Venice Megaforce try hard to emulate the ruffty-tuffty troupers in James Cameron’s Aliens (did I mention yet that Shocking Dark owes rather a lot to Aliens? How remiss of me!) in truth they look more like refugees from a gay porn movie… and not a particularly macho one, either, the way they squeal and blurt every time one of those aliens (which resemble nothing so much as ambulatory kebabs and prove disappointingly easy to gun down) hoves into view.
Ms Geretta is always agreeably sassy in these things (in 1984 she had graced Mattei and Fragasso’s hysterical Rats: Night Of Terror, of course) but unfortunately she gets killed off relatively early in Shocking Dark, before she can celebrate a heart-warming reconciliation over a hand grenade with the Italian guy she’s spent most of her screen time racially abusing. Otherwise, all of your favourite Aliens scenes are recreated in predictably am-dram fashion… Dr Sarah Drumbull (Haven Tyler in her only screen credit) as the Ripley figure even manages to rescue and bond with Newt surrogate Samantha Raphelson (the similarly uni-credited Dominica Coulson).
Clive Riche, in contrast to both of those ladies, has kept commendably busy since making his debut here… Christ knows how, given his ripe overacting (one of his more subdued moments, below) as “Drake”, a character driven mad by his earlier run in with the kebab creatures.
Christopher Ahrens is Samuel Fuller (!), an all-purpose kung fu special forces dude who’s along for the ride to represent the interests of the sinister and corrupt Tubular Corporation (!!), whose property speculation scam and clandestine chemical / bacteriological weapon tests (“cybernetics applied on a molecular basis”) devastated Venice in the first place. Fuller is ultimately revealed as part Ash from Alien, part Terminator (as if his increasingly Arnie-esque tones hadn’t already tipped you off) and is even described as a Replicant… so Mattei and Fragasso have managed to stir a pinch of Blade Runner into this indigestible concoction, too.
“I’m immortal… the most perfect (sic) thing ever created by the Tubular Corporation” announces cybernetic Sammy as Drumbull and Raphelson scramble to escape a nuclear reactor (did I forget to mention the nuclear reactor?) facility that will self-destruct (you guessed) in T-10 minutes. Just as their time is about to elapse, the girls happen upon a time machine (what were the odds on that?) which takes them back to the present day (or the tail end of the 20th Century, anyway) where Fuller follows them for a twist ending that will rip a new asshole in your space / time continuum.
Much as I love those Severin boys, I’d have to take issue with their assessment of Shocking Dark as “the most infamous mash-up in Eurosleaze history!” It’s an admittedly awesome Italo-schlock milestone but throughout it I get the sense of a director building himself up to such mashed masterpieces as 2004’s Land Of Death (“Cannibal Holocaust meets Predator”) and his 2007 swan-song “everything but the kitchen sink… hang on, there’s a kitchen sink in there as well” zombie brace Island Of The Living Dead and Zombies – The Beginning.
Also known (before James Cameron’s lawyers got wind of it) as Aliens 2, Alienators and Contaminator, initial orders of Shocking Dark were dispatched by Severin in “an extremely unofficial limited edition (Terminator 2) slipcover that will be available until a cease and desist arrives”. Punters picking up that edition might well have been in for a nasty surprise, though I guess if you’re reading this blog you would have been hip to the gag…
Extras include another chunk of Severin’s ongoing interview with co-writers Fragasso and his missus Rossella Drudi (remembering their final collaboration with Bruno Mattei) and a characteristically lively audience with Geretta Geretta / whatever her bloody name is. Plus alternative Italian Titles.
Looking for the perfect junk movie to accompany a late night fast food binge? Naan better than Bruno Mattei’s Shocking Dark…