In 1962, New York cops Sonny Grosso and Eddie Egan masterminded a massive drugs bust, seizing a (then) record haul of 112lbs of heroin. How they got it was chronicled in a 1969 book by Robin Moore, entitled The French Connection. William Friedkin read the book and was very impressed, especially with the maverick figure cut by Egan, reimagined as Jimmy “Popeye” Doyle and played by Gene Hackman in the subsequent Academy Award winning film of the same title (1971). Egan himself played “Doyle”s superior officer and there was also a small role for Grosso. Both were credited as technical advisors and, obviously feeling that films about cops walking the mean streets of NYC were a cushier career option than actually walking them, proceeded to advise on / appear in several subsequent movies. Grosso took a small part in the following year’s Ocar winner, The Godfather, as one of the guys who assassinates Sonny Corleone (alongside Randy Jürgensen, another former cop who followed a similar career trajectory, clocking up roles in The French Connection, Friedkin’s Cruising with Grosso again, Philip D’Antoni’s The Seven-Ups and the film under consideration here).
Howard W. Koch’s Badge 373 is another highly fictionalised account of Eddie Egan’s “exploits” (as they are styled in his writing credit). This time Robert Duvall plays the Egan character (“Eddie Ryan“) and Egan himself plays his boss Scanlon, who spends most of his time trying, in vain, to get Ryan to toe the line. Ooh, the irony…
We first make Ryan’s acquaintance during an attempted sting at a Puerto Rican night spot, where he pursues a runaway suspect to the roof, only for the latter to fall to his death. Ryan is is handed a disciplinary suspension but when his partner is bumped off while continuing their investigations into hispanic crime lord Sweet William (Henry Darrow), Ryan disregards Scanlon’s order to stay on the sidelines and goes after his man. Among many other scrapes, this involves him in an epic vehicular chase that is clearly intended to invoke the one in The French Connection but with the twist of Ryan driving a commandeered bus. At the end of this sequence the bad guys make a point of smashing his gun hand after which he pushes himself, Django-style, in preparation for the ultimate showdown with Sweet William (who’s shipping guns to a projected armed uprising in Puerto Rico), a showdown given added urgency after Ryan’s girlfriend Maureen (Verna Bloom) has also been offed.
Pete Hamill’s screenplay doesn’t do Egan any favours, making no bones about his casual racism. At the same time, the hispanic characters and their daily struggles are sympathetically presented and although Sweet William (below) is a palpable bastard, he gets a final soliloquy in which he rails about the white “justice” system that turned him into one, making some valid points that Ryan can only answer with bullets. J. J. Jackson’s smoky salza score compliments DP Arthur Ornitz’s sweeping Manhattan vistas beautifully.
Indicators limited (to 3,000 copies) edition UK Blu-ray Premiere comes with a 36 page collectors’ booklet, trailers, TV and radio spots and image galleries. In the featurette Welcome to Fear City, Randy Jürgensen remembers the life and career of Eddie Egan and discusses their experiences in the film industry. In Lethal Enforcers, film critic Glenn Kenny contributes a useful guide to the American maverick cop genre of the ’70s, which I found particularly enjoyable when combined in a double bill with Mike Malloy’s Eurocrime! documentary.